約 4,114,652 件
https://w.atwiki.jp/shintarot/pages/4.html
When Hikari woke up, it was gloomy in the room. She removed a strand of hair from over her forehead, looking at a white window. Some soft things stick to her fingers moving in her hair. What is it? Hikari murmurs. She makes the expression of fear unconsciously. The balls lie in a row like a rosary, sticking to each hair. Pinching it by fingertips proved that the grain is elastic. It must not put in power too much, for if it breaks, a liquid spouts out probably. Is it alive? The breath sound of small balls comes out, as if it replies to her question. The room is gradually dipped in the dark green shadow to all the corners. Hikari pinches a very small sphere quietly with the cushions of the middle finger and the thumb so that it may not break. Slowly, one by one, small spheres are extracted. A resilient swelling of thin film loses vitality when it falls on the floor where whitish deposit is heaped up. Hikari feels apologetic towards Madoka. Although Hikari somewhat accepted with fear the situation that she would have forgotten everything when she wakes up again, the figure of Madoka still appeared on her mind clearly. Hikari, The voice of Madoka revived. Man-catcher war forks against Madoka s breast and belly from right and left forced her on the square transparent objet d art. The wet hair is crawling on her throat. Both men having forks looked around to a space between them simultaneously. They called with their eyes the fellow watching the situation with a spear in his hands. It was probably the first time he played the role, for his legs were leaden. The men having forks kept gazing at him. When Madoka hid in the back of the last man, Hikari felt her cry out, Hikari! Madoka lying on her back to the floor put her fist to jaw in the process in which she changes. She turned her eyes to Hikari and said, It cannot be released. The posture of Madoka which bent her elbow indeed has solidified. Hikari tried to pull the arm apart from the face with all her strength, but her efforts proved abortive. As Hikari put power, it was rather thought that the power glueing the two parts together increased greatly. Hikari became exhausted and sank down to the floor. Madoka s face was distorted and ashamed. Her eyes reminded Hikari to pierce her forehead when she would have slept. Suddenly, the voice of panic went up. What kind of effect is it? Madoka s body has been rapidly dragged even to the wall to the direction which the fist pushes. PREV /NEXT Waterfall 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9
https://w.atwiki.jp/mainichi-matome/pages/1948.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese' behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Japanese gals give new meaning to being abroad日本の女性たちは外国へ行くことに新たな意味を見つけた 関連ページ Japanese gals give new meaning to being abroad 日本の女性たちは外国へ行くことに新たな意味を見つけた 0 Japanese gals give new meaning to being abroad Shukan Taishu 5/28 By Ryann Connell 日本の女性たちは外国へ行くことに新たな意味を見つけた 2001,05,16 1 "Leave home and throw away your shame," goes an old Japanese saying, and Shukan Taishu (5/28) notes that throngs of young Japanese women who headed overseas during the recent Golden Week series of holidays did just that. 「故郷を離れ、羞恥心を捨てよ」という日本の古いことわざがあるが(*1)，週刊大衆(5月28日)によると，先日のゴールデンウィークに海外に旅行した若い日本人女性の大群が，まさにそのことわざ通りのことをしたらしい． 2 "Flights to Bangkok were particularly so. Women made up about 60 percent of all passengers. And one reason why they went there is to get a taste of sex with beautiful looking young Thai boys," a tour conductor says, adding that women will head to gay bars in Bangkok to do exactly that. 「バンコクへの旅行は特にそうです．旅行者の約60パーセントが女性です． そして，その女性達がバンコクに行く目的の一つは，タイの若い美少年達とのセックスを楽しむためです．」とあるツアーコンダクターは言った．さらにそのツアーコンダクターは，女性達はそのような行為をするためにバンコクのゲイバーに向かう，と付け加えた． 3 "There're these gay bars where muscular young Thai men put on shows. But these guys aren't really gay. They're there to look after the lady's needs for the nights. It's become something of a hot gossip topic among Japanese women sick of playing around with hosts." 「バンコクには，若く体格のいいタイの男たちが出演するショーが見られるゲイバーがあります． けど，そこにいる男たちは本当はゲイではないのです． 彼らがゲイバーにいるのは，夜の相手を探す女性達の相手をするためです． このうわさは，ホストクラブ通いに飽きた日本人女性の間で話題になっています．」 4 Shukan Taishu notes that Japanese women are sating their carnal urges throughout Southeast Asia and the locals find them most welcome, especially the young men who'll sell themselves for a pittance. 週刊大衆によると，日本人女性は性欲を満たすために東南アジアに行き，東南アジアの人々，特にわずかな金額のために身を売る若者達は，それを大歓迎しているらしい． 5 "We were staying at what was supposed to be a first class hotel, but within a minute of arriving we were being propositioned by touts. One of them was a real cutie and could speak great Japanese," a woman we'll call Aki says, adding that a steamy session followed. 「私たちは最高級と思われるのホテルに泊まりました．しかし，着いて数分もしないうちにしつこくナンパされました． そのうちの一人はとてもかわいくて，日本語も上手でした．」さらに，アキと呼ばれる女性は，その後は熱い夜(*2)だった，と付け加えた． 6 Hanako, as we'll have the next lady known, was delighted with the delights of Bali, where she paid a trifling sum to be made to "feel like a queen." 別の女性，ハナコは，バリでわずかなお金を払うだけで"女王のような気持ち"にしてもらえ，バリの快楽を満喫したと言う． 7 What women like Aki and Hanako don't realize, though, is that they're often being taken for a ride in more ways than one. しかし，アキやハナコのような女性が気づいていないことがある．それは，彼女たちはいろんな意味でだまされているということである． 8 "The guys will always pick someone they know to use as a driver on day trips, or to shop for souvenirs at shops. They get kickbacks in return. They're doing a great job of using these women," a flight attendant well versed in what goes on in Bali says. 「男たちは，観光に行くときやおみやげの買い物に行くときのドライバーに，知っている人を選びます． そして，見返りをもらいます． 彼らは，そんな女性達をあつかうのがとても上手です．」バリに詳しいフライトアテンダントは言います． 9 Shukan Taishu says it's not just Southeast Asia where Japanese women are welcomed, men the world over are looking to make fools of these girls "who'll sleep with anyone." 週刊大衆によると，日本人女性が歓迎されるのは東南アジアだけでない．世界中の男たちがそんな"誰とでも寝る"女の子達をだまそうと待ちかまえているらしい． 10 "People in London laugh at them, especially the university students," a Japanese tour guide residing in the British capital says. "Even during Golden Week this year, you could see all the girls who were just drooling at the chance of doing it with a white guy." 「ロンドンの人たち，特に大学生は，彼女たちを笑っています．」イギリスの首都に住む日本人ツアーガイドは言います． 「今年のゴールデンウィークにも，白人男性とセックスできるチャンスをよだれを垂らしながら探している女の子達を大勢見かけました．」 11 And, considering the amorous antics of Japanese women in other parts of the world, perhaps it shouldn't come as a surprise that they're also active Down Under. 日本人女性達がそんな好色でおろかな行動(*3)を地球のどこかでしていることを考えると，彼地球の正反対の場所でも同じようなことをしているとしても，驚きではないかもしれない． 12 "Since the end of the Sydney Olympics, brothels have popped up all over the place, so one day when I had nothing better to do, I went over to one," a trader who spent Golden Week in Australia says. "It was just a normal house and all the girls were lined up waiting for a client. There were a couple of Japanese there, too, so I picked one of them and we went off to a room. We talked about why she was there. She said she'd got sick of working as an office lady, so got a working visa and went to Australia. She couldn't find a decent job, but didn't want to go back to Japan. Becoming a prostitute was the easiest way for her to make money." 「シドニーオリンピックが終わってから，売春宿があちこちに湧いてでてきたんですが，ある日特にすることがなかったので，そのうちの一人の相手をすることにしました．」オーストラリアでゴールデンウィークを過ごしたトレーダーは言います． 「その場所は普通の家で，女の子達は一列に並んで客を待っていました． 女の子達の中には日本人も何人かいましたので，その内の一人を選んで部屋に行きました． 彼女になぜこんなところにいるのかと聞きました． 彼女は，OLとして働くことがいやになり，就労ビザを取ってオーストラリアに来たと言います． まともな仕事は見つからなかったけど，日本には帰りたくないそうです． 売春婦になることは，彼女にとっては一番簡単にお金を稼ぐ方法でした．」 13 The trader continues "I learned later that there's a Japanese guidebook that mentions Japanese prostitutes working in Sydney. Japanese whores are also pretty famous among Sydneysiders." May 16, 2001 そのトレーダーは，こう続けました．「後で知ったのですが，シドニーにいる日本人売春婦のことが書いてある日本語のガイドブックがあるそうです． シドニーの人たちにも日本人売春婦はとても有名です．」 2001年5月16日 関連ページ 元記事一覧 毎日新聞英語版から配信された記事2001年
https://w.atwiki.jp/vocaloidenglishlyric/pages/102.html
【Tags Kaito Shigotoshite-P ShigotoshiteP T hinayukki tT】 Original Music Title 時忘人 Time Forgotten One (Toki Wasure Bito) Music Lyrics written, Voice edited by hinayukki / 仕事してP(Shigotoshite-P) Music arranged by hinayukki / 仕事してP(Shigotoshite-P) Singer Kaito Click here for the Japanese Lyrics English Lyrics (translated by hokorichan)： Alone in the illustrious street, the time forgotten one leans against the crimson stained wall waiting for someone without a glance at the passing people offering a small prayer with the old sword in his right hand Even though the long-drawn-out war had ended where had they gone have they gone to a land where no grass grows and continued the fight there? I continue to wait for them The flow of time has stopped we surely had been there the wind has stopped and the prayer that cannot be heard disappears like foams The voices that I heard are no long there, an invisible wall blocks my way the connected threads entwines while I stayed here unable to move The sun set and the red moon raised sadly left forgotten by time, the nights comes and goes The ones who have fought by my side for so long where are they now have they gone to a windless and dry land and continue to fight there? I continue to wait for them I remember fighting with comrade whom I could entrust my back to Now I am the only one left on this street, where had the familiar faces gone? I’ve lost, and been seeking for something very important the reason that I am here Not able to move, the reason for that the reason only I am different the fact that I have been trying to defy It had stopped since long ago nothing can be heard since then I press my hand to my left chest my heart is no longer beating Just like the flow of time has stopped I have also stopped The wind had stopped I cried without tears or sound holding my sword tightly this must be where I should be Without anyone noticing forgotten by time, I wait for them Romaji lyrics (transliterated by hokorichan)： hanayaida machi ni hitori toki wasure bito wa kurenai iro ni irodorareta kabe se ni shite yukikaishi hito nado me mo kurezu dare wo matsu furubi ta tsurugi migite ni chiisaku inori sasagu nagaki ni wataru ikusa mo owari wo tsugeta to iu noni karera wa doko ni iru imada midori hitotsu haenu ka no chi de tatakai tsuzuketeiru no darou ka boku wa karera wo matsu ugoi teita toki ga tomatta bokutachi wa tashika ni soko ni ita kaze ga naida mou todokanai inori wa utakata ni kieyuku you kikoe teita koe wa mou nai mienai kabe ni taezu saegirare tsunagatteita ito wa karamari boku wa tada ugokezu koko ni iru hi ga shizumi akai tsuki ga kanashige ni ukabu toki ni oki sarareta mama yo wo kurikaeshite tomo ni sasaeai chikara awase tatakai tsuzukete kita karera wa doko ni iru ima mo kaze no nai kawai ta ka no chi de tatakai tsuzuketeiru no darou ka boku wa karera wo matsu tatakatte ki ta kioku ga atta senaka aduketeta nakama ga ita kono machi ni wa boku dake ga iru ano minareta kao wa ima doko ni nakushiteta sagashiteta totemo taisetsuna koto wo boku ga koko ni iru imi wo ugokenai sono wake wo boku dake ga chikatteiru zutto sakarai tsuzukete kita koto tomatteita zutto mae kara nani hitotsu kikoenaku natteta hidari mune ni te wo oshiateru boku no shinzou wa mou ugokanai ugoiteita toki ga tomatta onaji you ni boku mo tomatteta kaze ga naida mou todokanai namida naku koe mo naku naiteta nigirishimeta hito furi no tsurugi koko ga kitto boku no ibasho da to dare hitori kizuku koto naku toki wo wasureta da karera wo matsu [hinayukki, Shigotoshite-P, ShigotoshiteP]
https://w.atwiki.jp/aidaze/pages/33.html
♪WINDING ROAD 作曲 作詞
https://w.atwiki.jp/openttdd/pages/13.html
Press Shift while performing an action (e.g. laying track, buying a bridge or tunnel) to see how much it would cost without actually doing it. (note this can be a long way out with the level land tool sometimes - normally says it will cost like £50,000 instead of £25,000 or something) 何かアクション(線路とか橋とかトンネル引くとか)をしてるときにShiftキー押すと必要資金がわかる。 Press x to enable or disable trees and buildings transparency. Xキー押すと建物と木が透明になるよ。 Use "Shared orders". If you have more than one bus (or any other vehicle) travelling the same route, you know that you can copy the orders from one of the vehicles onto another by clicking the orders button and then the vehicle that has the orders you want to copy... But did you know that if you press Ctrl when you click the vehicle, both vehicles will share the same set of orders so that if you ever need to change the orders (e.g. you need to send them both to another new station), every vehicle with those "Shared Orders" will see the change as well. 命令の共有を使え。 お前が二個以上同じルートを走る乗り物を作りたいときは、Ctrl押しながらクローン作ると命令が共有されたクローンが作成される。 Try to make sure that any inner-city road vehicle stations are within a loop of road. A road vehicle station can only take two vehicles at a time... any more and they will try to "go around the block" and come back to the station. If your station is inside a loop of road then they can circle the town and return when the station is clear. If not, they might wander off miles out of their way! 道路状のバス停は環状の道路上にあるようにしとけ。 道路状のバス停は一回に二台ぐらいまでしかはいらねーから。 もし環状道路の上になきゃバス停がいっぱいになってるときにバスがバス停に入ろうとするとバスがどっか行って時間の無駄が起きるから。 Remember to upgrade your bridges as the game progresses. At the start of the game, cheap bridges can suffice and save you lots of money, but once the new, stronger bridges appear there s no point having a 200mph train having to slow to 20mph to cross a rickety old wooden bridge! ゲームの進行に沿って橋をアップグレードさせるのを忘れんな。遅い橋はマジゴミ。 Be careful how you serve some of your stations. Although putting everything you can get (buses, trains, planes, ships) into one station means that you can handle a large amount of passengers or goods traffic, make sure that you are careful not to take the goodies away from that money-generating long route that s been keeping you going. Sometimes, a few buses can empty a station so that a train can take forever to build up a full load. 駅をくっつけるのは気をつけろ。一個の駅にバス停とか埠頭とか鉄道駅とかくっつけると大量のものを輸送できるけど、鉄道が乗客全部掻っ攫ってバスと船がカラのまま運行してるとかマジ意味ねーから。(かなり訳微妙) Distance matters. The further you take cargo, the more money you can make per trip. But beware... the more likely you are to be stiffed out by o in nearby towns. Try to compensate by making changes over time, limiting the amount of damage you do, planting them some nice trees to hide the building work or even, in extreme cases, bribing the town in question! the competition who are running back and forth and grabbing your precious cargo before you can return. 距離に関する問題！ めっちゃ遠くに物運んだら運賃も増えるやん。でも、 * Try not to upset the locals. Lots of building work in an area can make the local authorities mad with you. This can affect what you can d * Try not to make parallel tracks too close, unless they are doing the same job. If you use two different tracks that are so close that the horizontal and vertical track sections share the same square, make sure you realise the consequences. When it comes to upgrading to monorail or maglev tracks, you ll have to upgrade both tracks at the same time or reroute one of them so that they don t share the same square. * Remember that your HQ generates a little passenger traffic. This might be handy in the early stages of the game to boost your earnings in a sparse town. Unlike the original Transport Tycoon Deluxe, OpenTTD lets you relocate the HQ (for a certain price) so that you can move it away once the town starts to expand. * Try not to build sharp 90 degree turns as trains can only do 55MPH around them and some servers do not allow trains to go round such corners. Instead try to make your turns as wide as possible to allow trains to go at full speed around them. * An inexpensive way to make a canal is creating pseudo canals. * Bribing costs a lot and sometimes you get found out. Plant many trees around a town to increase your rating if possible. * If you want to build train station near to town, it is good to connect it with an airport. As you can see on the picture, airport is able to spread its influence much more than train station, so you get much more passengers and mail.
https://w.atwiki.jp/oper/pages/1464.html
第４節 【魂】 今やその時が来たので、私の恐れは消えうせました。 私の運命がはかられる時が近づいています。 最も穏やかな喜びを期待できます。 しかし、聞きなさい。わたしは感じます。 私を怖がらせる荒々しいどよめきを。 私はおびえてしまいそうです。 【天使】 我々は裁きの庭の近くまで来ました。 向こうに集まっている悪魔たちが上げる 不機嫌なうめき声が聞こえます。 It is the middle region, where of old Satan appeared among the sons of God, To cast his jibes and scoffs at holy Job. So now his legions throng the vestibule, 空腹で野蛮で、物を要求するのです。 そして地獄に連れて行く魂を集めているのです。 彼らの嘆願にはシーッと言いなさい。 【魂】 何と不快で粗野で不協な響きなのでしょう。 【悪魔たち】 生まれの卑しい粗暴な地上ののろまたちが、 神になりたいと熱望している、 産むことで、余分の好意にすがって、 手柄で点を稼いで。 あたかも何でも高貴な考えの 代わりになるかのように、 そして偉大なる霊のきらめきの一瞥 祝福された支配者たち、正当な統治者たち 誇りある住まいと光の王国の、 主たる所有者たち（の代わりになるかのように。） 問答無用で剥奪され、追い出される、 独裁者の意向や、 暴君が眉をひそめただけで。 主人を追い出した後、与えた、 不当であるにもかかわらず、勝ち誇ったように、 没収した王冠を、聖歌を単調に歌う連中に、 ぼそぼそともったいぶった話をする連中に、 すべての奴隷に、 信心ぶった詐欺師に、 こびへつらう悪漢に、 彼の足の裏の埃を舐めた連中に（与えた。） 【天使】 あれが休むことのない彼らのあえぎ声です。 捕らえられ檻に入れられた獣のように、 のどから深いぞっとする音を鳴らして生きているのです、 ひっきりなしに、あっち行ったりこっちに来たりして。 【悪魔たち】 心は奔放で自由なもの、 目的などない、そう我々は言われた、 祖先がいることを考えてはならないと。 聖人とは何か？ 死ぬ前に息で空気を汚染する者、 ばか者が崇拝する死骸の束、 人生の終わりに。はは！ Which rattle and stink, E’en in the flesh. We cry his pardon! No flesh bath he; Ha! ha! For it bath died, ‘Tis crucified Day by day, Afresh, afresh, Ha! ha! That holy clay, Ha! ha! And such fudge, As priestlings prate, Is his guerdon, Ha! ha! Before the Judge, And pleads and atones For spite and grudge, And bigot mood, And envy and hate, And greed of blood. SOUL HOW impotent they are! and yet on earth They have repute for wondrous power and skill; And books describe, how that the very face Of the Evil One, if seen, would have a force Even to freeze the blood, and choke the life Of Him who saw it. ANGEL In thy trial-state Thou hadst a traitor nestling close at home, Connatural, who with the powers of hell Was leagued, and of thy senses kept the keys, And to that deadliest foe unlocked thy heart. therefore is it, in respect of man, Those fallen ones show so majestical. But when some child of grace, angel or saint, Pure and upright in his integrity nature, meets the demons on their raid, They scud away as cowards from the fight. Nay oft hath holy hermit in his cell, yet disburdened of mortality, Mocked at their threats and warlike overtures; Or, dying, when they swarmed, like flies, Defied them, and departed to his Judge. 【悪魔たち】 美徳と悪徳、悪漢の言い訳、 みんな同じだ、はは！ 地獄の業火の恐れ、憎しみに満ちた炎、 臆病者の嘆願。はは！ 彼の値段を教えてやれ, 聖人だろうが構わない。はは！ 抜け目ないセンスで、 賃金のためにあくせく働くだろう、はは！ 浅ましい目的で ただ上なる天を求める、 慈愛からではなく、はは！ 【魂】 私には偽りの霊魂は見えません。 私は彼の王座にたどり着いて、 親愛なる主人にあうのでしょうか。 Or hear, at least, His awful judgment-word With personal intonation, as I now Hear thee, not see thee, Angel? Hitherto All has been darkness since I left the earth; S hall I remain thus sight bereft all through My penance time? If so, how comes it then That I have hearing still, and taste, and touch, Yet not a glimmer of that princely sense Which binds ideas in one, and makes them live? ANGEL NOR touch, nor taste, nor hearing hast thou now; Thou livest in a world of signs and types, The presentations of most holy truths, Living and strong, which now encompass thee. A disembodied soul, thou hast by right No converse with aught else beside thyself; But, lest so stern a solitude should load And break thy being, in mercy are vouchsafed Some lower measures of perception, Which seem to thee, as though through channels brought, Through ear, or nerves, or palate, which are gone. And thou art wrapped and swathed around in dreams, Dreams that are true, yet enigmatical; For the belongings of thy present state, Save through such symbols, come not home to thee. And thus thou tell’st of space, and time, and size, Of fragrant, solid, bitter, musical, Of fire, and of refreshment after fire; As (let me use similitude of earth, To aid thee in the knowledge thou dost ask) – As ice which blisters may be said to burn. Nor hast thou now extension, with its parts Correlative,—long habit cozens thee,— Nor power to move thyself; nor limbs to move. Hast thou not heard of those, who, after loss Of hand or foot, still cried that they had pains In hand or foot, as though they had it still? So is it now with thee, who hast not lost Thy hand or foot, but all which made up man; So will it be, until the joyous day Of resurrection, when thou wilt regain All thou hast lost, new-made and glorified. How, even now, the consummated Saints See God in heaven, I may not explicate. Meanwhile let it suffice thee to possess Such means of converse as are granted thee, Though, till that Beatific Vision thou art blind; For e’en thy purgatory, which comes like fire, Is fire without its light. SOUL His will be done! I am not worthy e’er to see again The face of day; far less His countenance, Who is the very sun. Nathless, in life, When I looked forward to my purgatory, It ever was my solace to believe That, ere I plunged amid th’ avenging flame, I had one sight of Him to strengthen me. 【天使】 NOR rash nor vain is that presentiment; ええ、短い間ですがあなたの主を見ることができるでしょう。 Thus will it be what time thou art arraigned Before the dread tribunal, and thy lot Is cast for ever, should it be to sit On His right hand among His pure elect, Then sight, or that which to the soul is sight, As by a lightning-flash, will come to thee, And thou shalt see, amid the dark profound, Whom thy soul loveth, and would fain approach,— 短い間。しかしあなたは知りません、 わが子よ、あなたが何を尋ねるのか。 最も美しいものをみることは、あなたを喜ばせ、 同時にあなたを突き刺すでしょう。 【魂】 天使よ、あなたの口調は暗い。畏れと、 私が軽率な行動をしないかという心配が私を覆います。 【天使】 かつては人間で、いまは上にあって 栄光の中にある人がいます。 彼は死の直前に、十字架につけられた ものとの交感がありました。 まさに主キリストの傷が 彼の肉体にも現れたのです。 そして、あの抱擁の際に 体と魂を通り抜けた苦悩から 永遠の慈愛の炎が、変容する前に 燃えることを学びなさい。 FOURTH PHASE SOUL Now that the hour is come, my fear is fled; And at this balance of my destiny, now close upon me, I can forward look with a serenest joy. But hark! upon my sense Comes a fierce hubbub, which would make me fear, Could I be frighted. ANGEL We are now arrived Close on the judgment court; that sullen howl Is from the demons who assemble there. It is the middle region, where of old Satan appeared among the sons of God, To cast his jibes and scoffs at holy Job. So now his legions throng the vestibule, Hungry and wild, to claim their property, And gather souls for hell. Hist to their cry. SOUL HOW sour and how uncouth a dissonance! DEMONS LOW-BORN clods of brute earth, They aspire to become gods, By a new birth, and an extra grace, And a score of merits. As if aught could stand in place Of the high thought, And the glance of fire of the great spirits, The powers blest, The lords by right, The primal owners of the proud dwelling And realm of light,— Dispossessed, aside thrust, chucked down, By the sheer might of a despot’s will, Of a tyrant’s frown. Who after expelling Their hosts, gave, Triumphant still, And still unjust, Each forfeit crown To psalm-droners, And canting groaners, To every slave And pious cheat, And crawling knave, Who licked the dust under his feet. ANGEL Tis the restless panting of their being; Like beasts of prey, who, caged within their bars, In a deep hideous purring have their life, And an incessant pacing to and fro. DEMONS THE mind bold and independent, The purpose free, so we are told, Must not think to have the ascendant. What’s a saint? One whose breath doth the air taint before his death; A bundle of bones, Which fools adore, When life is o’er, Ha! ha! Which rattle and stink, E’en in the flesh. We cry his pardon! No flesh bath he; Ha! ha! For it bath died, ‘Tis crucified Day by day, Afresh, afresh, Ha! ha! That holy clay, Ha! ha! And such fudge, As priestlings prate, Is his guerdon, Ha! ha! Before the Judge, And pleads and atones For spite and grudge, And bigot mood, And envy and hate, And greed of blood. SOUL HOW impotent they are! and yet on earth They have repute for wondrous power and skill; And books describe, how that the very face Of the Evil One, if seen, would have a force Even to freeze the blood, and choke the life Of Him who saw it. ANGEL In thy trial-state Thou hadst a traitor nestling close at home, Connatural, who with the powers of hell Was leagued, and of thy senses kept the keys, And to that deadliest foe unlocked thy heart. therefore is it, in respect of man, Those fallen ones show so majestical. But when some child of grace, angel or saint, Pure and upright in his integrity nature, meets the demons on their raid, They scud away as cowards from the fight. Nay oft hath holy hermit in his cell, yet disburdened of mortality, Mocked at their threats and warlike overtures; Or, dying, when they swarmed, like flies, Defied them, and departed to his Judge. DEMONS VIRTUE and vice, a knave’s pretence ‘Tis all the same; Ha! ha! Dread of hell-fire, of the venomous flame, A coward’s plea. Ha! ha! Give him his price, Saint though he be, Ha! Ha! Fom shrewd good sense He’ll slave for hi re; Ha! ha! And does but aspire to the heaven above With sordid aim, And not for love. Ha! Ha! SOUL I see not those false spirits; Shall I see my dearest Master, When I reach His throne? Or hear, at least, His awful judgment-word With personal intonation, as I now Hear thee, not see thee, Angel? Hitherto All has been darkness since I left the earth; S hall I remain thus sight bereft all through My penance time? If so, how comes it then That I have hearing still, and taste, and touch, Yet not a glimmer of that princely sense Which binds ideas in one, and makes them live? ANGEL NOR touch, nor taste, nor hearing hast thou now; Thou livest in a world of signs and types, The presentations of most holy truths, Living and strong, which now encompass thee. A disembodied soul, thou hast by right No converse with aught else beside thyself; But, lest so stern a solitude should load And break thy being, in mercy are vouchsafed Some lower measures of perception, Which seem to thee, as though through channels brought, Through ear, or nerves, or palate, which are gone. And thou art wrapped and swathed around in dreams, Dreams that are true, yet enigmatical; For the belongings of thy present state, Save through such symbols, come not home to thee. And thus thou tell’st of space, and time, and size, Of fragrant, solid, bitter, musical, Of fire, and of refreshment after fire; As (let me use similitude of earth, To aid thee in the knowledge thou dost ask) – As ice which blisters may be said to burn. Nor hast thou now extension, with its parts Correlative,—long habit cozens thee,— Nor power to move thyself; nor limbs to move. Hast thou not heard of those, who, after loss Of hand or foot, still cried that they had pains In hand or foot, as though they had it still? So is it now with thee, who hast not lost Thy hand or foot, but all which made up man; So will it be, until the joyous day Of resurrection, when thou wilt regain All thou hast lost, new-made and glorified. How, even now, the consummated Saints See God in heaven, I may not explicate. Meanwhile let it suffice thee to possess Such means of converse as are granted thee, Though, till that Beatific Vision thou art blind; For e’en thy purgatory, which comes like fire, Is fire without its light. SOUL His will be done! I am not worthy e’er to see again The face of day; far less His countenance, Who is the very sun. Nathless, in life, When I looked forward to my purgatory, It ever was my solace to believe That, ere I plunged amid th’ avenging flame, I had one sight of Him to strengthen me. ANGEL NOR rash nor vain is that presentiment; Yes,—for one moment thou shalt see thy Lord. Thus will it be what time thou art arraigned Before the dread tribunal, and thy lot Is cast for ever, should it be to sit On His right hand among His pure elect, Then sight, or that which to the soul is sight, As by a lightning-flash, will come to thee, And thou shalt see, amid the dark profound, Whom thy soul loveth, and would fain approach,— One moment; but thou knowest not, My child, what thou dost ask That sight of the most fair will gladden thee, But it will pierce thee too. SOUL THOU speakest darkly, Angel; and an awe Falls on me, and a fear lest I be rash. ANGEL THERE was a mortal, who is now Above in the mid glory He, when near to die, was given Communion with the Crucified,— Such, that the Master’s very wounds Were stamped upon his flesh; And, from the agony which thrilled Through body and soul in that embrace, Learn that the flame of the Everlasting Love Doth burn ere it transform… Elgar,Edward/The Dream of Gerontius/V
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Fribourg Treyer Morocco Snuff Brand Fribourg & Treyer Name Morocco Style flavored Grind coarse Moisture moist Kick 4 nicotine 4 Recommend 4 Notes(JPN) 刻みは荒く、キックは強め。アフリカ・ゲラニウム(ゼラニウム)の野趣あふれる香りが楽しめる。フローラルに分類されるだろうが甘さは一切無く、ジンバブエ葉の香りと調和している。 Notes(EN) grind is coarse, strong kick.You feel wild smell of Geranium Africani.Sweetness is not at all, and harmonizes with the smell of a Zimbabwe leaf. another review Shop @marscigars.com Morocco is flavored with Geranium Africani. The tobaccos in this snuff are Zimbabwe Flue Cured Stem, Dark Fired Leaf Sun Cured Leaf. Customer @marscigars.com Floral without being too perfumey...a medium fine texture with a nice flavor. Ian Turnbull @NasalSnuffClub Dark brown in colour, coarse moist grind.The fragrance is fresh, crisp geranium and the floral topnotes are reminiscent of an English cottage garden following a light summer shower of rain. Delicate scents tease the nose with their honesty and clarity, unashamedly evoking the spirit of Mother Nature in all her sensual charm. The aromas lose nothing of their innocence as they gently caress the nose into wakefulness, refreshing groggy senses and flirtatiously suggesting a promise of further delights to follow.A delightfully mild fragrant snuff - ideal for the novice. Ian Turnbull @NasalSnuffClub Morocco's main flavoring is listed as Geranium Africani, which they also call an exotic flavor. Whatever it is, it really works for me! It has a lemony citrus note that I find very enjoyable. The grind is medium and it is very moist, similar to Old Paris. This is another snuff that is easy on the nose, so you can take pretty large doses. It's middle of the road in strength, which makes it a good all day snuff. I'll definitely be ordering more of this one! Matthew @Snuffhouse.org It's fine/medium grind, medium moisture, a lovely deep brick red/brown colour and, in my view, like a lot of F T's floral snuffs, quite strongly scented although fairly low in nicotine. The only scent used I think is an African Geranium. I think the idea is to take quite a big pinch (or spoon in my case) and that way one gets a lasting flavour without sending oneself into a headspin. I like it, but it's not one of my favourites, even among the F T range.
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